Showing posts with label Top 10. Show all posts
Showing posts with label Top 10. Show all posts

Wednesday, December 24, 2008

Number 8 - Deerhunter - Microcastle



Deerhunter plough a farrow that marks them out from the indie guitar orthodoxy.They blend a myriad of influences, MBV, Jesus and Mary Chain and Ride with the art rock of Sonic Youth and some of the latent mentalism of the Liars.

That Bradford Cox is only 26 is scary. You feel that is still loads to come from his fractured muse.

Tuesday, December 16, 2008

Top Ten LPs of 2008 - Number 10 - Ezekiel Honig - Surfaces of A Broken Marching Band




I found this glorious gem of a record on emusic. I was hooked in by the cover even as a tiny jpg on the screen amongst others in the new interface when you log in.

Ezekiel Honig is a Brooklyn based electronica artist and has fashioned a work of wonder and drift on Surfaces of a Broken Marching Band.

This is blissful recording shifting between music concrete, static, reverb,field recordings and twisted acoustic sources. Surface noise dissolves into rhythm, rhythm twists into light, light disappears into dusk, dusk explodes into neon, neon fuses with static space, time bends.

Its a hollowed out ghostly version of dubstep. Its glides on eddies of surface noise and deep dubby drums. You can detect echoes within echoes. There are traces of Pole and Gas but the texture and tone is unique and beautiful. A melancholy reverberating glass heart.

Ezekiel Honig

Thursday, September 04, 2008

New Order - My Top 10


I am going to post up my favorite New Order tracks over the next few days with clips from you tube if I can find them.

First my review of the Singles Collection penned for Music OHM

New Order - The Singles

Genius. Simply, pure genius. No doubt, no hesitation. New Order kings and queens of disco melancholy. Rhythm, beauty, melody and bass. God like genius award from the NME. A trifle. You know that Pope Benedict is addressing the calls for their beatification as a matter of urgency. Touched by the hand of god, the perfect kiss, heaven in their hands.

Singles is the perfect review for New Order. All thirty singles, from the brittle sackcloth of Ceremony to the sleek surging Waiting For The Sirens' Call. See, they hail from a time when bands didn't release singles from LPs. Bursting with so many thrills and pills that they dropped faultlessly formed blasts of music on matt black 12" singles. Songs full of languid grace and thumping beats. The Manc fab four. Effortlessly cool and arty.

The shadow cast by Ian Curtis' death, the weight of the myth of Joy Division would have been enough to bury most bands. That New Order not only rose above and did not buckle as people but exploded in a riot of electro, programmed drums and gruff honest humour is a miracle. When U2 went all postmodern and swish they where attempting to ape New Order's jump from the ashes of the past. With U2 it always felt like a mask, a game, a ruse and now they are back grinding out rock music in 1000 shades of grey, with New Order it was a love affair, a taste for New York high life mixed with Manchester low life. The art of parties. It shows in the energy rush, the glee and vibrancy of the music.

Blue Monday is often labelled with inventing indie dance. Sure its huge success brought the sound out of the left-field and onto Top Of The Pops but you can hear the stirrings on Everything's Gone Green and the majestic Temptation. Bernard Sumner's Chic via Salford guitar playing on Temptation is the sound of their past being unstitched and shrugged off. The long overcoats of Joy Division crashing to the floor revealing (if not gold lame, that comes in the video for World In Motion) then reds and blues where once was only grey. In the "woah woahs" of the refrain you can feel the relief, the light at the end of the tunnel. Memories cleansed, the future imperfect

Enigmatic single, followed enigmatic single. Along the way they invented the blueprint for much of the mid 80s indie. The Cure, in hyper poppy style and Depeche Mode owe much to the trailblazing of New Order. Depeche Mode's Enjoy The Silence is New Order in fetish gear. The bassline is pure Hooky. Subculture is a Pet Shop Boy's wet dream. Their sound can be heard in artist such as The Killers (named after the fake band in the Crystal video) and Franz Ferdinand, who think making dance music with guitars is radical. New Order were doing that in 1982!

Not content with re-imagining the limits of pop music, they also provided the cradle for acid house, their club the Hacienda becoming the Northern Mecca for the first generation of ecstasy fuelled ravers. Their finger has always been on the club pulse, leading where others follow. True Faith is an ode to drug use that sounds like a hot air balloon ride to heaven. Fine Time is Barry White meets acid house in a crumbling canal side warehouse, Regret a comeback greater than Liverpool's in the Champions League.

If you have any interest in pop music then sell your soul to buy this. At that price it's a bargain.