Showing posts with label Live. Show all posts
Showing posts with label Live. Show all posts
Monday, March 31, 2014
New Order - Drop the Guitar Live in Chile 2014
New Order have previewed their first new track since 2005's Waiting for the Siren's Call. Played live in Chile as part of Lollapalooza Chile on the 30th March 2014. The song is the first new material since Peter Hook left the band. Although Hooky is no longer a member the song has the familiar bass rumble, a spidery guitar part that is very mid period (circa 1985) New Order and a Barney vocal that is prime New Order. It sounds more like New Order than the recent Bad Luienent stuff although the only difference live is Stephen Morris. Sound like a return to form to my ears.
More information here:
Fact Magazine - http://www.factmag.com/2014/03/31/new-order-unveil-first-new-song-in-nine-years-listen-here/
Slicing Up Eyeballs - http://www.slicingupeyeballs.com/2014/03/31/new-order-new-song-drop-the-guitar-santiago-video/
Consequence of Sound - http://consequenceofsound.net/2014/03/watch-new-order-debuts-drop-the-guitar-their-first-new-song-in-nine-years/
Labels:
Drop the Guitar,
Live,
New Order
Tuesday, February 18, 2014
Phonautogram - Winter North Atlantic - Live links and LP edit.
Winter North Atlantic are new to me but after reading a review in this month Wire magazine I have downloaded the LP Phonautogram from emusic and have gone hunting out whatever else I could find online.
Winter North Atlantic is a musical alias of Ed Carter and Phonautogram is the third LP they/he has produced.
"The phonautograph is the earliest known device for recording sound. Previously, tracings had been obtained of the sound-producing vibratory motions of tuning forks and other objects by physical contact ..."
Inspiration for the music on the LP was taken from the idea of this early recording/play back device.
The LP was launched at Sage Gateshead back in October and two tracks from that performance are below. It reminds me of a wide range of electronica and ambient stuff that I love, blending electronic elements, processing and acoustic instruments into a fully realised warm and beguiling soundscape.
Shades of Tim Hecker, Doll Boy, Belong, Faust and Can.
There is also a brief session and interview for the BBC Introducing in the North East
http://www.bbc.co.uk/programmes/p01kfx2q
There is also a four minute edit of the LP produced by Winter North Atlantic on Vimeo that can be downloaded.
Phonautogram album edit by Winter North Atlantic from Winter North Atlantic on Vimeo.
Winter North Atlantic is a musical alias of Ed Carter and Phonautogram is the third LP they/he has produced.
"The phonautograph is the earliest known device for recording sound. Previously, tracings had been obtained of the sound-producing vibratory motions of tuning forks and other objects by physical contact ..."
Inspiration for the music on the LP was taken from the idea of this early recording/play back device.
The LP was launched at Sage Gateshead back in October and two tracks from that performance are below. It reminds me of a wide range of electronica and ambient stuff that I love, blending electronic elements, processing and acoustic instruments into a fully realised warm and beguiling soundscape.
Shades of Tim Hecker, Doll Boy, Belong, Faust and Can.
There is also a brief session and interview for the BBC Introducing in the North East
http://www.bbc.co.uk/programmes/p01kfx2q
There is also a four minute edit of the LP produced by Winter North Atlantic on Vimeo that can be downloaded.
Phonautogram album edit by Winter North Atlantic from Winter North Atlantic on Vimeo.
Labels:
download,
Live,
Sage,
Soundcloud,
Winter North Atlantic
Thursday, February 06, 2014
Half and Hour with Mark Eiztel in Amsterdam 2013
A great video of Mark Eiztel playing the Paradiso Amsterdam in 2013. I assume although I don't know that it is an edited set list but its still a wonderful performance of some classic American Music Club and solo material. It's a shame the banter has been cut back as Mark is often very funny in a deadpan kind of way.
The track listing is as follows:
The track listing is as follows:
- Mission Rock Resort
- Dead Part of You
- Apology for an Accident
- Blue and Grey Shirt
- Decibels and Little Pills
- Bad Liquor
Labels:
Live,
Mark Eitzel,
video,
youtube
Friday, June 28, 2013
The Smiths - Glastonbury 1984 Full Audio
Below is a video of the audio of The Smiths performance at Glastonbury 1984. I don't know if it was filmed at all (these were the days before Glastonbury was the massive event it is today.) In 1984 the licence was for only 35,000 people compared the the 150,000 who now attend.
The Smiths were a controversial addition to the bill as they were deemed to be too popular by the hardcore new age travelers who were the core audience at this time. I think The Smiths managed only two top ten singles in their lifetime so it wasn't like putting on Duran Duran!
The gatefold photo from Hatful of Hollow was taken backstage at Glastonbury before the gig.
These are Johnny Marr thoughts on the performance:
"...When the Smiths played Glastonbury in 1984, we were slightly out of our element. Previously, we'd always played to manic, devoted audiences who were more like supporters at a cup final, but at Glastonbury we were playing to people who largely hadn't seen us before. It wasn't like when Jay-Z played, but we were very "urban" compared to the other acts. Our songs were so fast that we got through our first four in about the time it took for the other bands to finish their intro. Eventually, I did manage to instigate a stage invasion, which raised a few eyebrows. One fan was trying to climb on stage, I helped pull him up, and then a few more people followed, and all of a sudden we'd managed to turn it into a Smiths gig.
What people don't realise is how mellow and low-key Glastonbury used to be. It wasn't televised, and it wasn't a career-defining moment back then. You'd turn up to find just three fields – and they would be by no means full. You had a choice between the shit field, the field no one cares about, or the muddy one. Today's video screens would have seemed like an utter abomination.
Glastonbury's rise in popularity has a lot to do with rave culture. People were getting together in warehouses at the end of motorways just to avoid the police, and then they realised Glastonbury offered thousands of people a chance to get together legally. Suddenly, Glastonbury no longer seemed an outdated idea, whereas in the 80s, it had been caught between the ideals of the 70s and something which had yet to be defined.
Worst Glastonbury moment The first 10 minutes of the Smiths' performance in 84, because the sound got screwed up on stage. My guitar was coming out of the bass amp, and the vocals were, too. They pulled things together . . . by the time of the last song...."
http://www.guardian.co.uk/music/2010/jun/04/glastonbury-festival-memories
{FULL BOOTLEG CONCERT}-{The David Jones Tape}
CND Festival, Worthy Farm, Glastonbury, Somerset, England 23rd June 1984.
http://www.smithstorrents.co.uk/forum/
The Smiths were a controversial addition to the bill as they were deemed to be too popular by the hardcore new age travelers who were the core audience at this time. I think The Smiths managed only two top ten singles in their lifetime so it wasn't like putting on Duran Duran!
The gatefold photo from Hatful of Hollow was taken backstage at Glastonbury before the gig.
These are Johnny Marr thoughts on the performance:
"...When the Smiths played Glastonbury in 1984, we were slightly out of our element. Previously, we'd always played to manic, devoted audiences who were more like supporters at a cup final, but at Glastonbury we were playing to people who largely hadn't seen us before. It wasn't like when Jay-Z played, but we were very "urban" compared to the other acts. Our songs were so fast that we got through our first four in about the time it took for the other bands to finish their intro. Eventually, I did manage to instigate a stage invasion, which raised a few eyebrows. One fan was trying to climb on stage, I helped pull him up, and then a few more people followed, and all of a sudden we'd managed to turn it into a Smiths gig.
What people don't realise is how mellow and low-key Glastonbury used to be. It wasn't televised, and it wasn't a career-defining moment back then. You'd turn up to find just three fields – and they would be by no means full. You had a choice between the shit field, the field no one cares about, or the muddy one. Today's video screens would have seemed like an utter abomination.
Glastonbury's rise in popularity has a lot to do with rave culture. People were getting together in warehouses at the end of motorways just to avoid the police, and then they realised Glastonbury offered thousands of people a chance to get together legally. Suddenly, Glastonbury no longer seemed an outdated idea, whereas in the 80s, it had been caught between the ideals of the 70s and something which had yet to be defined.
Worst Glastonbury moment The first 10 minutes of the Smiths' performance in 84, because the sound got screwed up on stage. My guitar was coming out of the bass amp, and the vocals were, too. They pulled things together . . . by the time of the last song...."
http://www.guardian.co.uk/music/2010/jun/04/glastonbury-festival-memories
Set List
- Nowhere Fast
- Girl Afraid
- Handsome Devil
- This Charming Man
- William, It Was Really Nothing
- Heaven Knows I'm Miserable Now
- Still Ill
- Jeane
- Barbarism Begins At Home
- Hand in Glove
CND Festival, Worthy Farm, Glastonbury, Somerset, England 23rd June 1984.
http://www.smithstorrents.co.uk/forum/
Labels:
Glastonbury 1984,
Live,
the smiths
Tuesday, June 11, 2013
The National Tiny Desk Concert - NPR
I am not sure if I have posted before about the wonderful series of Tiny Desk Concerts over at NPR (National Public Radio). A very simple idea, get a band or artist to turn up in their offices and perform a short gig behind a desk! It's like MTV Unplugged without the staging and rehearsals.
In the promo blitz that The National are currently undertaking they have recorded a session which is now live on the NPR website.
The band played a short four song set of tunes from the new LP:
- This Is The Last Time
- I Need My Girl
- Pink Rabbits
- Sea of Love
They are great stripped down acoustic version with the band in fine form.
You can watch the whole thing here:
http://www.npr.org/event/music/190382702/the-national-tiny-desk-concert?autoplay=true
You can download the audio directly here:
http://pd.npr.org/anon.npr-mp3/npr/asc/2013/06/20130610_asc_thenational.mp3?dl=1
Labels:
Live,
NPR,
The National,
Tiny Desk Concert
Friday, October 01, 2010
Vic Chesnutt Live at Lee's Palace on 2009-11-07 Download

A wonderful live performance by the wonderful and sadly missed Vic Chesnutt.
The whole show is available for download for archive.org.
I have loved Vic Chesnutt since seeing play live at Moles Club in Bath on the Drunk Tour.
It was one of the most effecting and emotion gigs I have ever seen. I was hooked and have been ever since.
There is a great review of the gig that this recording is taken from here on the great blog Mechanical Forest of Sound:
This is great stripped back version of Supernatural one of my favourite songs of Vic's.
I really miss the man's music.
Labels:
Downloads,
Live,
Supernatural,
Vic Chesnutt
Friday, March 26, 2010
The National Live in Poland
The National Live in Poland off Festival 2009
Myslowice, Poland (8 Aug 2009)
This is a cool live set from last summer with a great cover of Pretty in Pink and a wonderful take on Abel.
- Start A War
- Brainy
- Secret Meeting
- Baby, We’ll Be Fine
- Slow Show
- Squalor Victoria
- Abel
- All the Wine
- Racing Like a Pro
- Pretty in Pink
- Apartment Story
- Available
- Fake Empire
- Encore
- Blood Buzz Ohio
Labels:
Live,
National Live in Poland,
Pretty in Pink
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